Read Wayward Girls & Wicked Women: An Anthology of Subversive Stories by Angela Carter Free Online
Book Title: Wayward Girls & Wicked Women: An Anthology of Subversive Stories|
The author of the book: Angela Carter
Edition: Penguin Books
Date of issue: January 1st 1989
Format files: PDF
The size of the: 8.11 MB
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Loaded: 1358 times
Reader ratings: 4.8
ISBN 13: 9780140103717
Read full description of the books:
This collection of stories, about bad girls and wicked women, extols the female virtues of discontent, sexual disruptiveness and bad manners. The authors featured include Ama Ata Aidoo, Djuna Barnes, Jane Bowles, Colette, Bessie Head, Katherine Mansfield and Jamaica Kincaid.
Elizabeth Jolley: The Last Crop
Leonora Carrington: The Débutante
Rocky Gámez: From The Gloria Stories
Bessie Head: Life
Jane Bowles: A Guatemalan Idyll
Katherine Mansfield: The Young Girl
Suniti Namjoshi: Three Feminist Fables
Colette: The Rainy Moon
George Egerton: Wedlock
Frances Towers: Violet
Ama Ata Aidoo: The Plums
Grace Paley: A Woman Young And Old
Andrée Chedid: The Long Trial
Angela Carter: The Loves Of Lady Purple
Djuna Barnes: The Earth
Vernon Lee: Oke Of Okehurst
Jamaica Kincaid: Girl
Luo Shu: Aunt Liu
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Read information about the authorBorn Angela Olive Stalker in Eastbourne, in 1940, Carter was evacuated as a child to live in Yorkshire with her maternal grandmother. As a teenager she battled anorexia. She began work as a journalist on the Croydon Advertiser, following in the footsteps of her father. Carter attended the University of Bristol where she studied English literature.
She married twice, first in 1960 to Paul Carter. They divorced after twelve years. In 1969 Angela Carter used the proceeds of her Somerset Maugham Award to leave her husband and relocate for two years to Tokyo, Japan, where she claims in Nothing Sacred (1982) that she "learnt what it is to be a woman and became radicalised." She wrote about her experiences there in articles for New Society and a collection of short stories, Fireworks: Nine Profane Pieces (1974), and evidence of her experiences in Japan can also be seen in The Infernal Desire Machines of Doctor Hoffman (1972). She was there at the same time as Roland Barthes, who published his experiences in Empire of Signs (1970).
She then explored the United States, Asia, and Europe, helped by her fluency in French and German. She spent much of the late 1970s and 1980s as a writer in residence at universities, including the University of Sheffield, Brown University, the University of Adelaide, and the University of East Anglia. In 1977 Carter married Mark Pearce, with whom she had one son.
As well as being a prolific writer of fiction, Carter contributed many articles to The Guardian, The Independent and New Statesman, collected in Shaking a Leg. She adapted a number of her short stories for radio and wrote two original radio dramas on Richard Dadd and Ronald Firbank. Two of her fictions have been adapted for the silver screen: The Company of Wolves (1984) and The Magic Toyshop (1987). She was actively involved in both film adaptations, her screenplays are published in the collected dramatic writings, The Curious Room, together with her radio scripts, a libretto for an opera of Virginia Wolf's Orlando, an unproduced screenplay entitled The Christchurch Murders (based on the same true story as Peter Jackson's Heavenly Creatures) and other works. These neglected works, as well as her controversial television documentary, The Holy Family Album, are discussed in Charlotte Crofts' book, Anagrams of Desire (2003).
At the time of her death, Carter was embarking on a sequel to Charlotte Brontë's Jane Eyre based on the later life of Jane's stepdaughter, Adèle Varens. However, only a synopsis survives.
Her novel Nights at the Circus won the 1984 James Tait Black Memorial Prize for literature.
Angela Carter died aged 51 in 1992 at her home in London after developing lung cancer. Her obituary published in The Observer said, "She was the opposite of parochial. Nothing, for her, was outside the pale: she wanted to know about everything and everyone, and every place and every word. She relished life and language hugely, and reveled in the diverse."